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May 12 18, 2013 | Palea Epidavros | Greece
Strategies of Cultural Management for Representation and Cooperation of Art Institutions and Artists across Europe
Cultural activities are one of the best opportunities for countries to create a strong identity within the process of globalization. On the other hand we can observe that the focus on a monocultural understanding of national cultural identity is no longer a contemporary approach to developing the diversity of artistic innovations in different European countries. Especially the massive changes within the processes of migration and international artistic transfers make this perspective very relevant. Many cities and regions all over Europe are currently looking in the context of cultural tourism for a cultural profile which attracts not only the inhabitants of a single country but also a wider audience. How can we avoid the gaps of monocultural national approaches in the field of cultural actions?
Kim Inseon has been working for more than 15 years now in the Korean Art Scene and is specialized in Visual Arts. Inseon Kim worked for LOOP, an alternative art space after studying art history in New York. She got her experience from working in many galleries and curating the Busan Biennale, previously called PICAF Pusan International Contemporary Art Festival. Here Inseon Kim intended to present contemporary art in a more accessible way to the general public. Before opening her own alternative space and working as an art consultant for collectors, private companies and the Korean government, Inseon Kim worked in the Daelim Contemporary Art Museum, which is to promote excellence and achievement in the artistic community of the Seoul City area.
More than a year now, that Inseon Kim is directing her own space which provides a field for young artists and their development. She wants to allow the shift of the artist´s focus from commercial driven activities to purely experimental ones. In her opinion especially emerging artists strike to set high prices on their works and exhibit in commercial galleries to become attractive to collectors. However, at the same time young artists fear the commercialization of their art work as well as the limitation the art market sets them. Willing n Dealing therefore does not only offer consultancy but also a space to experiment with art and develop artistic careers.
Jazz musicians are often regarded as chronic loners, as individualists who fully concentrate on their art and work in ever-changing formations. However, to make that possible they need a fully functional, and in the best case, an internationally organized artistic network. In our latest newsletter, we exclusively publish a case study by Prof. Martin Lücke from Munich, which offers insight into how a European-wide partnership can look in practice.
Sydney Theatre Companys Greening the Wharf Project is a showcase project with regard to environmental measures in a theatre.

When taking over as artistic directors of the Sydney Theatre Company (STC), a not-for-profit organisation, in 2008, Cate Blanchett and Andrew Upton committed to plan and put into practice large-scale environmental measures for the theatre. Thus, the sustainability approach of the STC, that had comprised social and economic measures, was to be completed.
Contemporary music is characterized by a quest to meet its audience in new ways. The music frequently incorporates other art forms such as performance, dance or lighting design. It is played not only in traditional concert halls, often the musicians goes in direct dialogue with the audience, and sometimes the concert form is as much a work of art as the scores performed.
NewAud is a project on strengthening such experiments with new concert forms on the international level. The goal of NewAud is to test and demonstrate the future concert forms of contemporary music in a direct cooperation between music ensembles in 17 countries.
Music China, Asia Pacifics leading music event, ended on a positive note with the recording breaking number of participants reaffirming the fairs position as the professional choice for reaching the burgeoning Asian market. The show was held from 11 14 October at the Shanghai New International Expo Centre, Shanghai China. Filling 86,500 sqm of exhibition space were 1,606 suppliers of musical instruments and related products from 30 countries and regions, including 11 pavilions representing Belgium, the Czech Republic, France, Germany, Italy, Japan, the Netherlands, Scandinavia, Spain, Taiwan and the United Kingdom.
Commenting on the largest ever visitor numbers, Mr Evan Sha, General Manager, Messe Frankfurt (Shanghai) Co Ltd said: "This year we attracted 60,172 visitors from around the world who can depend on Music Chinas offerings of high quality products and unique networking opportunities to further their business objectives. They also had the chance to learn more about the industry through our comprehensive fringe programmes, as well as being entertained by live demonstrations and indoor and outdoor concerts."
VIVA | Performance Lab Cosenza is a contemporary art project supported by European network Trans Europe Halles. Through a festival (8th to 9th of December 2012) and capacity building workshops involving international artists and experts, and the local community, this project aims at developing the cultural offer of the city, its attractiveness for tourism and to professionalise the cultural actors and artists working in the city.
From the 8th to the 9th of December, some of the main exponents of the contemporary performance scene are invited to a two days festival to be held in the city centre. This festival, curated by Tania Bruguera and Cristiana Perrella, will be preceded by an intensive workshop involving emerging artists: during seven days, participants will have the opportunity to reflect on their current work and develop an individual performance which will be presented during the festival.
The fifth Atelier for Young Festival Managers (Ljubljana, Slovenia, 14-21 October 2012), initiated by the European Festivals Association (EFA) and hosted by the Ljubljana Festival, brought together 32 participants from 21 countries and seven renowned festival managers from all over the world. The Atelier LJUBLJANA 2012 was kicked off with an inspiring keynote speech by Australian festival director Robyn Archer and a greeting by Zoran Jankovi, Mayor of the City of Ljubljana; it was concluded with an exclusive lecture by festival icon Gerard Mortier and a welcome address by Dr. Danilo Trk, President of the Republic of Slovenia. Throughout the 7-day training programme, a diversity of working formats allowed for thought-provoking exchanges and establishing sustainable ties for the future.
In his address at the Atelier closing ceremony at the Ljubljana City Hall on 20 October, President Dr. Danilo Trk the first Head of State to participate in the Ateliers history underlined his support of the Atelier and the importance of such an international initiative both for the Slovenian capital and the entire country.
Despite, or maybe because of global economic challenges, with greater implications in Europe and North America, the 2012 International Fundraising Congress held in the Netherlands this October was the most successful ever. First timers and old hands left the NH Leeuwenhorst Hotel with much to think about. With so many non-profits trying to do more and better with less money, many sessions were oversubscribed and the general feeling was overwhelmingly positive about the quality of the presentations.
Social media was not only a popular subject at the Congress, but many delegates were also tweeting from sessions, commenting and sharing their thoughts and the lessons they were learning. The knowledge sharing tradition in the non-profit sector has been taken one step further.
Kevin De Coninck, the Policy and Development Officer for the Dutch Language Union commented: I'm here for the first time at the IFC and it was really interesting to see the concrete fundraising tips. All in all it was reassuring that we're doing the right thing and it was nice to hear all the stories of the other participants.
This study draws on the experiential approach and has two main goals: to explore the different dimensions of the museum experience regardless of whether it is mediated by mediation devices (e.g., audio guides, interactive terminals, SmartPhones, tablets, augmented reality), and to identify the impact of such devices on visitors behavioural intentions. The authors conduct a qualitative and exploratory investigation to address the following questions: Does the development of such devices affect both experience dimensions and the audiences behavioural intentions? Which components of a museum visit are concerned?
In 2012/13, the Bavarian State Opera will be the first international opera house to present, with STAATSOPER.TV, a season with live streams online free of charge.
Opera and ballet lovers from all over the world will be able to enjoy a total of seven opera performances and two ballet evenings in full and live online from Munich. The first of these will be the audiovisual transmission on 3 November 2012 of Jörg Widmann's new opera Babylon (musical director: K. Nagano, stage production: Carlus Padrissa - La Fura dels Baus; with C. McFadden, A. Prohaska, W. White, G. Schnaut).
The questionnaire deals with issues such as the process of creation of learning facilites & spaces and their integration into the museum, appropriate tools of interpretation and types of innovative learning elements, maintenance of learning spaces, evaluation, reasons for changes... Deadline is September the 21st.
Focus on innovative learning elements including examples of creating special learning facilities within exhibitions, as well as interactive learning spaces as separate spatial units, which should be collected and made available for museum staff all over Europe. Every innovative approach which contains the active involvement of museum visitors is of interest for this project.
Ten years ago Ted Cantle founded the idea of community cohesion and this concept began to transform the way we think about race and diversity in the UK and has been copied and adopted by many other countries, especially through the idea of intercultural dialogue. Despite the growth of the Far Right and continual opposition to migration, 85% of people in England now say that they now get on well with people from other backgrounds testimony to the great work done on cohesion at the community level.
But the ghost of multiculturalism hangs over progressive debates. And the new phase of super diversity created by globalisation and the transnational movement of people and communications on a new scale, demands a new approach. All modern societies are now multicultural and destined to become more so yet the ideology of multiculturalism cannot mediate the changes which people both enjoy and fear. In his new book, Ted Cantle expounds the idea of interculturalism which recognises the interdependence of people and their countries and suggests that different forms of integration are now necessary to foster an inter-connectedness in which race will no longer play a significant part and be eclipsed by broader ideas about difference and otherness.
The Museums Associations 2012 survey into cuts to museum services has laid bare the devastating impact that budget reductions are continuing to have across the UK. Out of 114 museum services and individual institutions that responded, 51% reported a cut to their budgets and almost a quarter have been forced to reduce public access by closing whole sites or parts of sites permanently or temporarily. 11% have closed whole sites permanently. 42% of respondents said there have been cuts to staff, with almost a fifth saying staffing levels were down 25% or more. Of the respondents that have experienced cuts in 2011 and 2012, over a third have seen a cumulative reduction of more than 35%.
Manuel Scheidegger and Janosch Asen are Berlin-based entrepreneurs who have developed a revolutionary technique that is changing the way people browse the web. Their recently developed tool allows people to creatively mix various web-sources into a single stream of animated content, which can then be shared with others to sit back and enjoy or actively browse. Viewers, for the first time, have the choice of leaning back and watching web-content mixed together like a movie, or they can dive inside and browse whatever catches their eye with a simple mouse-click. The two call this process "Creative Browsing". Their idea stems from a bold vision: a web rebuilt by people, where you dont surf with tabs or boring blue links, but through creative projects catered to your interests.
Like most museums, only a small part of the Powerhouse Museum collection in Sydney is exhibited at any one time. About 50,000 objects are stored at Castle Hill. Castle Hill is the Powerhouse Museums off-site collection storage facility. A new museum visitor experience model and program to increase public access to the Powerhouses Collection is being developed to officially open at the Castle Hill site in March 2007.
The nature of the site as a storage facility and the behind the scenes appeal of the visitor offering require a different approach to the traditional museum visitor experience that captures the rawness, directness and uniqueness of the visitors engagement with the site, the Collection and the objects.
DALLAS (SMU) HEC Montréal, SDA Bocconi School of Management and SMUs Arts Management and Arts Entrepreneurship program will finalize an agreement on May 30 to launch a new 12-month International Arts Management Master of Management Degree (M.M.). Beginning in fall 2013, the new M.M. degree will be the first to focus on issues unique to international arts management and to approach arts management from a global perspective. The program includes one semester at each of the three partner universities and will prepare students to manage and lead international arts and cultural organizations.
"As arts and cultural industries grow increasingly interconnected and global in scope, our new M.M. degree responds to the heightened demand for a graduate program specializing in international arts management," said Zannie Voss, professor of Arts Management in the Meadows School of the Arts and Cox School of Business, and chair of the Division of Arts Management and Arts Entrepreneurship at Meadows.
From intimate children's theatre, to abstract dance performed against a bare mountain backdrop - by way of cutting-edge immersive theatre - Made in Scotland is a programme which finds the best Scottish theatre and dance, shows it off at the Edinburgh Festival Fringe and then helps it to travel the world.
The Made in Scotland programme is a neat solution to twin problems at the Fringe. It allows international bookers to find quality touring material in the sprawling event, while it gives Scottish theatre and dance companies a place to be seen. Jointly, the Federation of Scottish Theatre, the Edinburgh Festival Fringe Society and Creative Scotland have successfully developed Made in Scotland as an annual project since 2009.
A curated strand of the Fringe, supported by the Scottish Governments Edinburgh Festivals Expo Fund, the showcase is put together by a international panel of theatre and dance experts - under the impartial chairmanship of the Edinburgh Festival Fringe Society's chief executive.
Singapores newest, much-anticipated The Star Performing Arts Centre, featuring a 5,000 seat theatre will officially open in November 2012 with international concerts and exciting events!
Setting the stage as Singapores latest host for international calibre concerts, the venue will celebrate its official opening with a 3-day Opening Festival that will include concerts of HITMAN David Foster and Friends. Following last-years sold out shows, the 16-time Grammy Award winner will return with a star-studded line-up of Friends including Babyface, Chaka Khan and Hayley Westenra. Alongside the concerts, the Festival will commence with a Red Carpet and Gala Dinner with invited guests. There will also be a Family Open Day featuring appearances by Nickelodeon characters, local dance groups and diverse music acts to engage with the local community and reinforce the role that the new centre will play as a fundamental feature of Singapores burgeoning arts and entertainment markets.
Thirty four organisations across England set to get a £162 million funding boost.
In the first round of funding from the Catalyst: Endowment programme, 34 organisations are set to receive a share of £56 million to support their endowments. Boosting private giving for culture is key to putting arts and heritage organisations on the path to long-term financial stability, said Culture Secretary Jeremy Hunt.
It is very gratifying to see that so many have already been successful in attracting match-funding and I am grateful to all those companies and individuals who so generously support our arts and heritage bodies.