Reviewer copies on arts management

Are you interested in keeping up-to-date with the latest developments, research, and projects in international arts management? Then our review copies may be of interest for you. You can choose any of the books listed below in exchange for a review. We also offer copies of current non-English books for reviews in English. Just write us an e-mail with your preferred book from our list or your suggestion to:

office@artsmanagement.net 
 

Liam Dee, Against Art and Culture, Springer 2018.

Offering a negative definition of art in relation to the concept of culture, this book establishes the concept of ‘art/culture’ to describe the unity of these two fields around named-labour, idealised creative subjectivity and surplus signification. Contending a conceptual and social reality of a combined ‘art/culture’, this book demonstrates that the failure to appreciate the dynamic totality of art and culture by its purported negators is due to almost all existing critiques of art and culture being defences of a ‘true’ art or culture against ‘inauthentic’ manifestations, and art thus ultimately restricting creativity to the service of the bourgeois commodity regime.
 

Benita Lipps, Engaging Stages: Good Practice in Creative Audience Development, DaVinci Institute Editions 2017.

Engaging Stages is a hands-on guide for theatre makers and creative leaders to inform and inspire about strategic approaches to public engagement. Published by the Theatron Engaging Stages Network Europe, it contains 30 contributions and case studies from 17 leading performing arts organisations in 10 European countries.
 

Robert R. Janes, Richard Sandell (Editors), Museum Activists, Routledge 2019.

Only a decade ago, the notion that museums, galleries and heritage organisations might engage in activist practice, with explicit intent to act upon inequalities, injustices and environmental crises, was met with scepticism and often derision. Seeking to purposefully bring about social change was viewed by many within and beyond the museum community as inappropriately political and antithetical to fundamental professional values. Today, although the idea remains controversial, the way we think about the roles and responsibilities of museums as knowledge based, social institutions is changing. Museum Activism examines the increasing significance of this activist trend in thinking and practice.
 

Josephine Caust, Arts Leadership in Contemporary Contexts, Routledge 2018.

This book explores and critiques different aspects of arts leadership within contemporary contexts. While this is an exploration of ways arts leadership is understood, interpreted and practiced, it is also an acknowledgement of a changing cultural and economic paradigm. Understanding the broader environment for the arts is therefore part of the leadership imperative.
 

Lucas Lixinski, International Heritage Law for Communities: Exclusion and Re-Imagination, OUP Oxford

This book critically engages the shortcomings of the field of international heritage law, seen through the lenses of the five major UNESCO treaties for the safeguarding of different types of heritage. It argues that these five treaties have effectively prevented local communities, who bear the brunt of the costs associated with international heritage protection, from having a say in how their heritage is managed. The exclusion of local communities often alienates them not only from international decision-making processes but also from their cultural heritage itself, ultimately meaning that systems put in place for the protection of cultural heritage contribute to its disappearance in the long term.
 

Simone Wesner, Artists’ Voices in Cultural Policy. Careers, Myths and the Creative Profession after German Unification, Palgrave 2018.

This volume examines visual artists’ careers in the East German region of Saxony, as seen through the lens of cultural policy studies. The book discusses how myth binaries, memory layers and identity markers shaped artists professional lives in an interwoven and fluid approach following German unification, taking a fresh look at the intricacies of visual artists’ careers within the specifics of the cultural, social and political changes. It surveys artists’ professional practice and work under the new framework of the professional class, and discusses the implications for the profession of artists with special reference to visual artists. Simone Wesner looks beyond geographical and political contexts and provides the reader with a longitudinal narrative that produces a revised understanding of artists’ careers within the cultural policy context.  
 

Gerald Bast, Elias G. Carayannis, David F. J. Campbell, David F. J. (Eds.), The Future of Museums, Springer VS 2018.

This book explores―at the macro, meso and micro levels and in terms of qualitative as well as quantitative studies―the current and future role of museums for art and society. Given the dynamic developments in art and society, museums need to change in order to remain (and in some ways, regain) relevance. This relevance is in the sense of a power to influence. Additionally museums have challenges that arise in the production of art through the use of permanent and rapidly changing technologies. This book examines how museums deal with the increasing importance of performance art and social interactive art, artistic disciplines which refuse to use classical or digital artistic media in their artistic processes. The book also observes how museums are adapting in the digital age.