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The Singapore International Foundation (SIF) is looking for applicants for the third edition of its Arts for Good Fellowship 2019. In this edition, the Fellowship will focus on the theme of Creative Empowerment for Children and Youth. Application deadline is June 16th.
2019-05-13
The forthcoming edition of the IECER Entrepreneurship Conference in Utrecht, the Netherlands, 16-18 October 2019 focuses on Entrepreneurship for a better future with a special track on Cultural Entrepreneurship. The track focuses on research and creative and innovative management practices in arts management and cultural entrepreneurship. Deadline for submission is 15th June 2019.
2019-05-10
Do you sometimes feel like the world is getting worse and worse and you are surrounded by only negative news? Well, as studies have shown, we humans tend to overestimate negative developments and turn a blind eye to the positive ones. Therefore, with this issue of Arts Management Quarterly, we present you examples, experiences and approaches from arts professionals around the world that will help you when you feel helpless in the face of financial, political or even institutional crises.
2019-04-30
Arts Management is a broad field where a lot of things happen simultaneously. New approaches are constantly appearing on the tableau and most of them disappear very quickly again. Together with experienced researchers, Constance DeVereaux has taken on the difficult task of identifying the most promising ones for her new volume - published 2018 by Routledge - and mapping their status quo between theory and practice.
Ann Tonks, 2019-04-29
Most book reviews are written without including feedback or background information by the author. For this review, Constance DeVereaux decided to not only write about Jim Volz’ latest book "Introduction to Arts Management” but to additionally talk to him about why he thought another introduction to the field was needed.
Constance DeVereaux, 2019-04-15
How can arts professionals help that people and societies don’t lose track in an increasingly complex world? And how can we retain authorship over our lives in the face of rapid technological change? The second edition of the three-day international cultural symposium, taking place in June in Weimar, Germany and organized by Goethe-Institut will revolve around these questions.
2019-03-28
SeriesEducation
This or a similar formulation can be found in various study and examination regulations of arts management study courses: The aim is "to enable graduates to meet current challenges in the cultural sector in a competent, creative and solution-oriented way". That is good - and yet still too little.
Raphaela Henze, 2019-03-25
SeriesEducation
During the first Global Cultural Leadership Programme (GCLP) in 2016, forty young cultural leaders travelled from across the globe to meet in Valetta, Malta for one week. We - Alison Uttley (Canada), Beth Ponte (Brazil), Faye Hobson (Ireland) and Ruhi Jhunjhunwala (India) - were members of the inaugural cohort of the GCLP and the experience proved to be transformative for each of us in unexpected ways.
Alison Uttley , 2019-03-04
What is leadership if not a relationship and role we take within a community? We live in complicated times that urge us to embrace new forms of leadership. And since arts and culture can give us deep insights into how we form relationships and how we relate to the world and help us envision leadership styles beyond neoliberal approaches, leadership in this sector should also focus on caring and growing.
Anabel Roque Rodríguez, 2019-02-18
Arts management is an increasingly international and transcultural field of work where there are no concepts and definitions of Cultural Leadership valid and applicable to everyone. Therefore, this issue of Arts Management Quarterly wants to show different perceptions characterized by specific working realities, professional biographies and regional contexts.
2019-01-31
The responsibility of cultural managers in transformation societies was the central topic of the first winter school for master's and doctoral students organised by Heilbronn University and the Brokering Intercultural Exchange (BIE) network with participants from 16 countries. It took place at the end of November 2018 in Berlin in cooperation with MitOst e.V. and the Robert Bosch Cultural Managers Network.
Raphaela Henze, 2019-01-28
SeriesOriginally non-English
Over the last thirty+ years the Fine Arts have found themselves in an increasingly tight squeeze between a rock and hard place in most Western countries. Their development shows why not every arts market segment can be measure by the same criteria – like an egalitarian community purpose, financial independence or adaptation to capitalist logic – and why there is still a need for Arts for Art’s Sake.
Harry Hillman Chartrand, 2019-01-21
Leading an institution in a period of change is one of the toughest challenges in cultural management today. As director of the philharmonie zuidnederland (South Netherlands Philharmonic), Stefan Rosu developed the idea of an independent scientific centre on Classical Music to conduct research on orchestras and advise them regarding innovation and renewal.
Stefan Rosu, 2018-12-10
SeriesOriginally non-English
In the beginning of September 2018, the German Library Association invited me to travel to Latvia and Lithuania to trace the status quo of digitization in big and small libraries in Riga, Klaipda, Plunge and Vilnius together with a group of German journalists. Above all, I took one thing with me: compared to Germany, digitization is a matter of course in the Baltic States.
Marlene Hofmann, 2018-11-21
SeriesOriginally non-English
How to build an independent art scene? For those directly involved in the Lubumbashi Biennial in the Democratic Republic of Congo, this is an urgent question that has clear social consequences. By investing in its own locality while forging its place in the world, the Biennial is leading the way.*
Sandra Coumans, 2018-10-22
We have witnessed the development of the field of arts management with its own professional identity and academic programs around the world. But one wonders if its theoretical framework, curricula and approaches really respond to the reality of the different countries, especially when considering the distinction between North and South. The book Introduction to International Arts Management by Raphaela Henze assumes the important role of provoking this discussion.
Javier J. Hernandez Acosta, 2018-10-15
On 27 September, Dr. Alba Victoria Zamarbide Urdaniz from Waseda University in Japan was announced as the winner of the 5th ENCATC Research Award on Cultural Policy and Cultural Management for her PhD on "Re-defining the role of 'buffers' in the management of the historical territory. The discrepancies between theoretical concepts and practical interpretations of 'buffer' zones in Eastern and Western Cultural World Heritage sites.”
2018-10-11
Are you looking for a new arts management reading? Among our review copies you will find the perfect book for every taste. Just write us an email with your wish book and with a little luck, it'll soon be yours.
 
on Facebook, 2018-10-02
SeriesEducation
In order to fully exploit the potential of the Robert Bosch Cultural Managers Network (RBCM Network), a group of Master students from Heilbronn University of Applied Sciences, Germany evaluated the network and identified central aspects for its further development.
Raphaela Henze, 2018-08-13
Compared to the large public institutions, small theatres have to fight for their survival time and again. But this independence also allows freedom to experiment, whether in terms of artistic formats and themes or cultural management. The Theatre Får302 in Copenhagen has been doing this very successfully for over 30 years and has repeatedly attracted national attention.
Tan Shuo, 2018-08-06