Division
Series
Keywords
Sort by
Perform search
Most book reviews are written without including feedback or background information by the author. For this review, Constance DeVereaux decided to not only write about Jim Volz’ latest book "Introduction to Arts Management” but to additionally talk to him about why he thought another introduction to the field was needed.
Constance DeVereaux, 2019-04-15
The International Children’s Culture Forum 2019 on "Inclusion in Culture and Arts Education and Implementation of Children’s Cultural Rights" will take place in Tampere, Finland 30.9.-1.10.2019. Application deadline is 26th of April 2019.
2019-04-10
The International Conference of Social Theory, Politics and the Arts (STP&A) is an interdisciplinary gathering of researchers, policy-makers and practitioners that explores key trends, practices and policy issues affecting the arts around the world. The 44th STP&A Conference will be hosted at the School of the Arts of the University of New Orleans October 10-12, 2019. The issue is "Social Justice, Arts, and Propaganda". Submission deadline is April 26.
2019-04-01
How can arts professionals help that people and societies don’t lose track in an increasingly complex world? And how can we retain authorship over our lives in the face of rapid technological change? The second edition of the three-day international cultural symposium, taking place in June in Weimar, Germany and organized by Goethe-Institut will revolve around these questions.
2019-03-28
SeriesEducation
This or a similar formulation can be found in various study and examination regulations of arts management study courses: The aim is "to enable graduates to meet current challenges in the cultural sector in a competent, creative and solution-oriented way". That is good - and yet still too little.
Raphaela Henze, 2019-03-25
On 4 October 2019 in Dijon, France, academics, researchers and practitioners from Europe and beyond will present their latest work during during the ENCATC Education and Research Session, organised in the framework of the ENCATC Congress on Cultural Management and Policy. The open call welcomes submissions for abstracts, posters and teaching demonstrations until 25 May 2019.
2019-03-13
SeriesEducation
During the first Global Cultural Leadership Programme (GCLP) in 2016, forty young cultural leaders travelled from across the globe to meet in Valetta, Malta for one week. We - Alison Uttley (Canada), Beth Ponte (Brazil), Faye Hobson (Ireland) and Ruhi Jhunjhunwala (India) - were members of the inaugural cohort of the GCLP and the experience proved to be transformative for each of us in unexpected ways.
Alison Uttley , 2019-03-04
What is leadership if not a relationship and role we take within a community? We live in complicated times that urge us to embrace new forms of leadership. And since arts and culture can give us deep insights into how we form relationships and how we relate to the world and help us envision leadership styles beyond neoliberal approaches, leadership in this sector should also focus on caring and growing.
Anabel Roque Rodríguez, 2019-02-18
How do artists and mission-driven arts organisations navigate the uncertainty of contemporary artistic careers and catalyse positive social change, while meeting economic demands? This question creates an opportunity for dialogue between rapidly growing, yet fragmented, research streams across the cultural and creative industries. This issue will provide an opportunity for a vibrant conversation and bring together different viewpoints. Submission deadline is 15th May 2019.
2019-02-06
The 10th Vienna Music Business Research Days will be held at mdw – University of Music and Performing Arts Vienna, Austria, from September 11 to 13, 2019. The conference organizers invite scholars to submit a paper proposal on the theme “The Future of Music Business” and other aspects of music business research. Submission deadline is April 29, 2019.
2019-02-05
The responsibility of cultural managers in transformation societies was the central topic of the first winter school for master's and doctoral students organised by Heilbronn University and the Brokering Intercultural Exchange (BIE) network with participants from 16 countries. It took place at the end of November 2018 in Berlin in cooperation with MitOst e.V. and the Robert Bosch Cultural Managers Network.
Raphaela Henze, 2019-01-28
SeriesOriginally non-English
Over the last thirty+ years the Fine Arts have found themselves in an increasingly tight squeeze between a rock and hard place in most Western countries. Their development shows why not every arts market segment can be measure by the same criteria – like an egalitarian community purpose, financial independence or adaptation to capitalist logic – and why there is still a need for Arts for Art’s Sake.
Harry Hillman Chartrand, 2019-01-21
Leading an institution in a period of change is one of the toughest challenges in cultural management today. As director of the philharmonie zuidnederland (South Netherlands Philharmonic), Stefan Rosu developed the idea of an independent scientific centre on Classical Music to conduct research on orchestras and advise them regarding innovation and renewal.
Stefan Rosu, 2018-12-10
SeriesOriginally non-English
In the beginning of September 2018, the German Library Association invited me to travel to Latvia and Lithuania to trace the status quo of digitization in big and small libraries in Riga, Klaipda, Plunge and Vilnius together with a group of German journalists. Above all, I took one thing with me: compared to Germany, digitization is a matter of course in the Baltic States.
Marlene Hofmann, 2018-11-21
SeriesOriginally non-English
How to build an independent art scene? For those directly involved in the Lubumbashi Biennial in the Democratic Republic of Congo, this is an urgent question that has clear social consequences. By investing in its own locality while forging its place in the world, the Biennial is leading the way.*
Sandra Coumans, 2018-10-22
We have witnessed the development of the field of arts management with its own professional identity and academic programs around the world. But one wonders if its theoretical framework, curricula and approaches really respond to the reality of the different countries, especially when considering the distinction between North and South. The book Introduction to International Arts Management by Raphaela Henze assumes the important role of provoking this discussion.
Javier J. Hernandez Acosta, 2018-10-15
On 27 September, Dr. Alba Victoria Zamarbide Urdaniz from Waseda University in Japan was announced as the winner of the 5th ENCATC Research Award on Cultural Policy and Cultural Management for her PhD on "Re-defining the role of 'buffers' in the management of the historical territory. The discrepancies between theoretical concepts and practical interpretations of 'buffer' zones in Eastern and Western Cultural World Heritage sites.”
2018-10-11
SeriesEducation
In order to fully exploit the potential of the Robert Bosch Cultural Managers Network (RBCM Network), a group of Master students from Heilbronn University of Applied Sciences, Germany evaluated the network and identified central aspects for its further development.
Raphaela Henze, 2018-08-13
Compared to the large public institutions, small theatres have to fight for their survival time and again. But this independence also allows freedom to experiment, whether in terms of artistic formats and themes or cultural management. The Theatre Får302 in Copenhagen has been doing this very successfully for over 30 years and has repeatedly attracted national attention.
Tan Shuo, 2018-08-06
This paper deals with the power mechanisms inherent in our knowledge system, particularly focusing on the language used in arts management practice.
Raphaela Henze, 2018-07-19