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How do artists and mission-driven arts organisations navigate the uncertainty of contemporary artistic careers and catalyse positive social change, while meeting economic demands? This question creates an opportunity for dialogue between rapidly growing, yet fragmented, research streams across the cultural and creative industries. This issue will provide an opportunity for a vibrant conversation and bring together different viewpoints. Submission deadline is 15th May 2019.
2019-02-06
The responsibility of cultural managers in transformation societies was the central topic of the first winter school for master's and doctoral students organised by Heilbronn University and the Brokering Intercultural Exchange (BIE) network with participants from 16 countries. It took place at the end of November 2018 in Berlin in cooperation with MitOst e.V. and the Robert Bosch Cultural Managers Network.
Raphaela Henze, 2019-01-28
SeriesOriginally non-English
Over the last thirty+ years the Fine Arts have found themselves in an increasingly tight squeeze between a rock and hard place in most Western countries. Their development shows why not every arts market segment can be measure by the same criteria – like an egalitarian community purpose, financial independence or adaptation to capitalist logic – and why there is still a need for Arts for Art’s Sake.
Harry Hillman Chartrand, 2019-01-21
We have witnessed the development of the field of arts management with its own professional identity and academic programs around the world. But one wonders if its theoretical framework, curricula and approaches really respond to the reality of the different countries, especially when considering the distinction between North and South. The book Introduction to International Arts Management by Raphaela Henze assumes the important role of provoking this discussion.
Javier J. Hernandez Acosta, 2018-10-15
On 27 September, Dr. Alba Victoria Zamarbide Urdaniz from Waseda University in Japan was announced as the winner of the 5th ENCATC Research Award on Cultural Policy and Cultural Management for her PhD on "Re-defining the role of 'buffers' in the management of the historical territory. The discrepancies between theoretical concepts and practical interpretations of 'buffer' zones in Eastern and Western Cultural World Heritage sites.”
2018-10-11
SeriesEducation
In order to fully exploit the potential of the Robert Bosch Cultural Managers Network (RBCM Network), a group of Master students from Heilbronn University of Applied Sciences, Germany evaluated the network and identified central aspects for its further development.
Raphaela Henze, 2018-08-13
This paper deals with the power mechanisms inherent in our knowledge system, particularly focusing on the language used in arts management practice.
Raphaela Henze, 2018-07-19
SeriesOriginally non-English
This paper is a guide to the basics of up-to-date communication in the arts sector. It focuses on the key point in making communication with arts audiences more efficient: to convey your values and to connect with peoples needs and desires.
Pepe Zapata, 2018-07-16
SeriesEducation
In October 2017, eleven students of the Zurich University of the Arts, study programme Cast/ Audiovisual Media travelled to Hong Kong to take over the "Zurich meets Hong Kong" city festivals social media channels and report on around 50 events as an "embedded social media team".
Christian Holst, 2018-07-09
While #metoo dominates the media, there is a growing debate about gender equality in the cultural field as well. But where do the German and international art scene stand when it comes to art and gender? Katrin Hassler's book (currently only available in German) attempts to explore this in a quantitative study and provides figures on the significance of gender for filling leading positions in the art field.
Anabel Roque Rodríguez, 2018-03-19
In October 2016, when the Goethe Institutes "Damascus in Exile" project was launched in a small shop in the center of Berlin, it was a structural novelty that brought a symbolic space and its political significance at the center of attention, and brought together people of different origins.
Gernot Wolfram, 2018-03-12
Located in the village of Zverino, 70km from Sofia, the capital of Bulgaria, Kamenov House is a place to think, write, create and live in an authentic rural environment, intended for creative people cultural managers, PhD students, academics and small-size creative teams. The House Launch day is 15 July 2018, applications can be send anytime.
2018-02-20
Lukasz Wróblewskis book seeks to address a lack of basic theoretical knowledge in the areas of strategic and marketing management amongst those working in the cultural sector. For arts professionals from countries such as the UK - the reviewers home country - this diagnosis may seem outdated. Yet given that Wróblewskis main research interest is the Polish cultural sector, this assessment can at least partly be revised allowing for the differing trajectory of development in the countrys arts institutions in recent years. Wróblewskis book therefore provides an enlightening and empirically based introduction to the current status of Polish arts management.
Steven Hadley, 2018-02-06
Key questions in international arts management, e.g. on the communication between individuals from different backgrounds or the role of arts managers in challenging contexts, were addressed by the group of highly-qualified and experienced participants at the fourth workshop of the Brokering Intercultural Exchange Network that took place at Goldsmiths University of the London, November 15 - 17, 2017.
Karsten Xuereb, 2017-12-13
SeriesCentral & South America
For this interview, our correspondent Lisa Harborth talked to Alejandra Solórzano, a cultural producer who is working for the Ministry of Culture and Youth in Costa Rica. They spoke about the local arts sector, the unique position of concert bands in this small country and their link to the non-existing army.
Alejandra Solórzano, 2017-11-13
Feasible visions for the city of the future are the Senseable City Lab's main topic. The SCL is one of the interdisciplinary research and transfer centers affiliated at the Massachusetts Institute of Technology. We talked with Prof. Dr. Carlo Ratti, founder and director, about how the SCL merges modern research and creativity in applicable developments.
Carlo Ratti, 2017-11-06
In the cultural sector and in cultural policy, international cooperation is taken for granted. But to be truly fruitful, cultural exchange must be on an equal footing. But what does that mean? Are arts organizations really on a par with their partners? Is it really fair cooperation they pursue? With her award-winning doctoral thesis, Dr. Annika Hampel has triggered the discussion of a topic debated still much too rarely.
Annika Hampel, 2017-10-02
The third seminar of the network Brokering Intercultural Exchange taking place in Zürich, Switzerland was the best gathering of Arts/Cultural Management academics, practitioners, and students I have have ever attended. To this appraisement, I have identified eight qualities that continue to come up in conversations like a leitmotiv from a Wagnerian opera.
Antonio C. Cuyler, 2017-08-10
The 36th Annual AAAE conference was hosted by Queen Margaret University in Edinburgh between May 31st and June 2nd 2017. The fact, that the conference took place in Europe, surely resulted in several new faces. One third of the participants were so-called first timers (assumedly several of them Europeans who took advantage of not having to travel that far).
Raphaela Henze, 2017-08-02
This research seeks to develop greater understanding of the impacts of globalization, digitalization, and (im)migration on the work of arts managers and arts management researchers. Different from studies that focus specifically on those who work exclusively in international contexts, this paper aims to present current research based on an international empirical study of arts managers who do not necessarily cross borders for their work and who would in most cases not even consider their work international as such.
Raphaela Henze, 2017-07-11